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This sheer extent of the gathering was overwhelming. Over 69 artists, activists and hosts took the stage at the famous venue.

Included in the lineup were musical icons: Bastille, Hot Chip. From entertainment, figures like Florence Pugh, joined by many others appeared on the stage.

For certain, the blend of activism and music seemed reminiscent of iconic concerts from decades before.

In other respects, the concert felt distinctly current. There was conventional donation methods – merchandise offerings and web-based support played a vital role.

It was not an exercise in white saviourism. The artistic direction was overseen by Palestinian voices, including Nai Barghouti, who shared genuine perspectives to the evening.

Prior to the event began, audiences entered – some demonstrators waving symbols attempted to voice opposition, but security ensured separation.

Within the arena, the mood was anything but rebellious. The only instance of disagreement occurred when a speaker alluded to violence and was challenged.

Some participants seemed to show restraint. One actor read a writing but skipped a phrase mentioning the victims.

Another participant went off-topic, ditching his scripted speech to talk about compassion and dancing.

Native artists left a powerful mark. Yara Eid highlighted fiercely about media workers killed in Gaza, receiving applause.

After four hours, several audience members were exiting, missing the closing acts. But, many exited carrying merchandise and demonstrating unity.

Around the conclusion, organisers announced that over £1.5m had been raised. Objective completed.