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The two singles released up to now by the group Ashnymph resist simple labeling: their own description of their music as “subconscioussion” doesn’t offer many clues. The first single Saltspreader married a heavy mechanical drumming – member Will Wiffen has at times appeared on stage sporting a shirt that displays the emblem of industrial metal pioneers Godflesh – with retro-style synths and a guitar riff that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before dissolving into a wall of disquieting noise. Its intended effect, the band has indicated, was to suggest road trips, “the endless movement of vehicles 24-hours a day over vast spans … nighttime orange glows”.

The next release, the song Mr Invisible, falls between nightclub tunes and experimental rock. For one thing, the track’s rhythm, layers of hypnotic electronics, and lyrics that appear either trippily blurred or mesmerizingly repeated in a way that recalls Underworld's Dubnobasswithmyheadman period all indicate the dance space. Alternatively, its forceful live-sounding dynamics, brink-of-disorder feel and overdrive – “achieving a crunchy texture is a lifelong ambition,” Wiffen noted – set it apart as clearly a group effort rather than a solitary home producer. They've performed around south London’s DIY scene for less than a year, “anywhere that will turn the PA up loud”.

But each is thrilling and unique – mutually and anything else around at the moment – to make you wonder about the band's future direction. Whatever it is, on the basis of these two singles, it’s unlikely to be boring.

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